Minnelli also seamlessly transitions to the more vulnerable moments as well, capturing the characters aspirations and grave insecurities.

Yet, it isnt only Minnelli who made this Kander and Ebb musical a masterpiece.

Money, Money

Money, Money is a catchy little duet featuring Minnellis Sally Bowles and Joel Greys Emcee.

Joel Grey and Liza Minnelli in Cabaret (1972)

Joel Grey and Liza Minnelli in Cabaret (1972) | IMDb

The song features tongue-in-cheek lyrics that capture the allure of wealth against societys shallow values.

The song also prominently features brass instruments to give it a bold and brash sound.

The song is a quintessential cabaret splendor, blending elements of jazz, vaudeville, and musical theater.

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His exaggerated facial expressions and dynamic movements across the stage create a sense of flamboyance and disinhibition.

Mein Herr

The choreography alone deserves a prize.

Minnelli and the dancers work in harmony, creating defined shapes that blend into visually striking tableaus.

And of course, who could forget the chairs?

Shifting from whispery seduction to full-throated dominance, Minnelli conveys Bowles vulnerability and strength in equal measure.

Maybe This Time

Just tear our hearts out and stomp on them, why dontcha?

Maybe This Time is the musicals most emotionally charged and poignant number.

It conveys Bowles longing and resilience against a whispering cynicism that begs to overpower her optimistic cover.

Gazing to the horizon, Bowles imagines the life of love she can have… maybe this time.

The lyrics will resonate with anyone who has been broken and beaten down by love and life.

With all the power she can summon, Minnelli belts this ballad.

Its a moment of quiet reflection amidst chaos and is the musicals most introspective song.

The song features the prototypical Cabaret sound characterized by swing and jazz influences with salient piano and brass instrumentation.

The songs juxtaposition of light-hearted exuberance with underlying melancholy creates a sense of tension and ambiguity.

Whats it all for?

How are we supposed to live?

Oh well, come to the Cabaret and forget about it…for now.